Matthias Bitzer (b. 1975, Stuttgart, Germany; lives and works in Berlin) simultaneously works between painting, sculpture, installation, and writing. In his work, one can notice subtle references from art history, philosophy, and literature.
Bitzer's paintings act as organic structures where each piece holds its own meaning, while simultaneously wanting to be part of something larger. This play between part and a whole reflects a series of questions the artist repeatedly asks himself: What exists at all? How does it exist? Does it exist objectively or only within our perception?
A distinctive aspect of Bitzer’s visual language lies in the multiplicity of dimensions his works bring. Certain paintings can be opened, revealing hidden layers beneath their surface, and making the viewer part of the piece. These gestures transform the act of viewing into one of participation and discovery. Through this, the works resist remaining static; they are in a constant state of change, taking different directions with every encounter.
Bitzer’s works evoke archetypal forms, fragments of memory, and echoes of cultural and historical references while resisting one singular interpretation. In an age shaped by rapid image consumption and preconditioned meanings, his works create a space for pause and reflection. By encouraging viewers to look and engage, Bitzer gives them a space for thought and contemplation.
