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EXHIBITION
PROTOTYPE - Harm van den Dorpel
An exhibition of the Mercedes-Benz Art Collection at Studio Odeonsplatz, 25.01.25 – 22.03.25.
We are thrilled to announce that Harm van den Dorpel is part of this exciting exhibition, alongside five other international artists. Curated by Christopher Dake-Outhet, PROTOTYPE explores the concept of prototypes as innovative connections between art, technology, and future possibilities. -
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ARTIST TALK
Illit Azoulay
Join us for an artist talk at STOPOVER exhibition with Dr. Helena Pereña, curator of the exhibition, and Dr. Bettina Kames, director and co-founder of LAS Art Foundation and a leading voice in contemporary art discourse. Taking place on Wednesday, February 26, at 7pm at VS Villa Stuck (interim location- Goethestr. 54), this engaging discussion will explore the histories and narratives central to STOPOVER -
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PRESS
WELTKUNST Spezial 04 Herbst 2024
POWER FRAUEN
Lichtdurchflutet ist die Galerie Lohaus Sominsky in einem ehemaligen Stoffladen mit 200 Quadratmetern und vier Meter Deckenhöhe am Lenbachplatz. Die beiden Frauen, die vor knapp zwei Jahren ihre Galerie in dem denkmalgeschützten Fünfzigerjahre-Gebäude gegründet haben, füllen die eleganten Räume mit viel Leben und Erfahrung.... -
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EXHIBITION
Magdalena Jetelová at Museum Kulturspeicher Würzburg
As part of a new presentation of collection pieces from the Würzburg city collection, 'untitled' is on display—one of Jetelová's oak wood chairs, along with Ektachrome on plexiglass.
Museum im Kulturspeicher
Oskar-Laredo-Platz 1 (vormals Veitshöchheimer Str. 5)
97080 Würzburg -
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SIDE-SPECIFIC ART
Digital Amnesia or Constructed Memory" by Ilia Azoulay has found its permanent home at Munich's historic Maximilian-Gymnasium. The installation showcases a panoramic photomontage and an immersive sound experience facilitated by Augmented Reality technology on-site.
In this project, artist Ilit Azoulay creatively reimagines the grand halls of Maximilian Gymnasium, aiming to preserve its diverse histories, whether spoken or unspoken. Through a fusion of photography, sculpture, and sound, Azoulay visually exposes the essence of the unembellished structure within a panoramic masterpiece encased in a stone frame.
